"I made up my mind I would never ever again have anything done on a television network in America," he later commented. Kneale was invited to write for the successful American science-fiction series The X-Files (1993–2002), but declined the offer. [6] Transmitted on 17 January 1997 and cited as one of the programme's finest episodes,[79] it brought Kneale's writing career to a close after more than fifty years. Nigel Kneale was born on April 18, 1922 in Barrow-in-Furness, Lancashire, England as Thomas Nigel Kneale. [87], Kneale never saw himself as a science-fiction writer,[17] and was often critical of the genre. [85], High-profile entertainment industry figures have publicly expressed admiration for Kneale's work, including The Beatles' drummer Ringo Starr,[87] members of the rock group Pink Floyd[87] and Monty Python's Flying Circus writer/performer Michael Palin. [6] The play concerned the population of an 18th-century village who become haunted by visions of a future nuclear war,[3] and was followed by several further one-off dramas for the BBC over the following decade, including two entries into BBC1's The Wednesday Play anthology strand. [3] His final professional work was an episode of the ITV legal drama Kavanagh QC, starring John Thaw. [29], Kneale and Cartier next collaborated on an adaptation of Wuthering Heights (broadcast 6 December 1953) and then on a version of George Orwell's novel Nineteen Eighty-Four (12 December 1954). Quite. [17][38], In 1966 Kneale worked again for Hammer Film Productions when he adapted Norah Lofts's 1960 novel The Devil's Own into the horror film The Witches. [13]), Following this success, Kneale gave up acting to write full-time. So has Crossroads and that's a stinker". Moved Permanently. When his novel English Passengers won the Whitbread Book of the Year award in 2001, his father commented that: "Matthew's much better than I am. [56] Kneale was much happier with this version than the previous Hammer Quatermass adaptations,[57] and the film was described by The Independent in 2006 as "one of the best ever Hammer productions. [11] He also had further short stories published in magazines such as Argosy and The Strand. He was married to Judith Kerr. He also criticised Blake's 7, which he described as the lowest point of British television science-fiction: "I think the low point for me would be the very few bits I've seen of a thing called Blake's 7 which I found paralytically awful. [14] Kneale's publisher was keen for him to write a novel,[3] but Kneale himself was more interested in writing for television. [38], In 1982, Kneale made another one-off diversion from his usual work when he wrote his only produced Hollywood movie script, Halloween III: Season of the Witch. [37] Kneale was not pleased with the film,[6] and particularly disliked the casting of Brian Donlevy as Quatermass, as he explained in a 1986 interview. [44] On this occasion Kneale was inspired by the racial tensions that had recently been seen in the United Kingdom, and which came to a head while the serial was in pre-production when the Notting Hill race riots occurred in August and September 1958. Sutton was the Head of Drama at the BBC during this period, and twice lists Kneale while citing examples of the finest single plays made during his tenure. Manx-born author/screenwriter Nigel Kneale was one of the most compelling and influential film writers to come out of England in the '50s. Manx-born author/screenwriter Nigel Kneale was one of the most compelling and influential film writers to come out of England in the '50s. [77], Kneale also adapted Sharpe's Gold for ITV in 1995, as part of their series of adaptations of Bernard Cornwell's Sharpe novels. 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