W hether you want a professional look for your livestreams or simply to look better on your next video chat, one of the best options is to use a dedicated camera with excellent video specs—such as your Sony Alpha mirrorless or Cyber-shot point-and-shoot camera. I found my GS7 can often be a few meters out when kept in my pocket, so if I’m after the most accurate co-ordinates during a session, I try to keep my phone in the top of my backpack. The Sony DSC-RX100 VI measures 4 x 2.3 x 1.7 inches, making it about the same size as the previous RX100 V but just a tad thicker. I tried my hands on this new compact camera by Sony for awhile and in this article, I am going to share a detailed review of Sony RX100 VI covering all of its pro and cons. The SCN mode on the dial lets you choose from 13 presets, including the usual suspects like Portrait, Landscape and Sunset, but also including the composite Handheld Twilight and Anti Motion Blur modes which take a burst and combine them to reduce shake and noise. Sure the system may not be as responsive as the best touch systems out there, and Sony continues to inexplicably limit what you can do by touch in the menus and playback, but I’m just happy there’s now an easier way to move the AF area at all. Now I just opened up this camera. Note the closest focusing distance is 8cm at the wide end and 1m at the long end; you’ll need to get as close to these as possible to maximize the potential for blurring. Sadly though, like other recent Sony cameras there’s not a great deal else it can do though, so still no tapping through menus or even the icon-driven Fn options. And I’m delighted to report the optical quality is surprisingly good for the camera’s size, especially at the longer-end of the range where many rivals begin to suffer from softness and reduced contrast. Sony’s working hard to alleviate this though and quotes the RX100 VI’s sensor as having an Anti Distortion Shutter. Sony RX100 VI – Viewfinder and screen One area where the RX100 VI has a real edge over its biggest rival is when it comes to composing your images. I remain concerned how Sony will deploy features (like an interval timer) which were previously provided by downloadable apps, but I’m relieved you no longer need to jump through hoops just to get the remote control working. So like the Mark V, you get the chance to record 4k at 24 to 30p with a mild 1.1x crop, or 1080 video up to 120p for slow motion; 4k clips are again limited to five minutes each to avoid overheating, although 1080 clips can extend to a second shy of half an hour. Since size is often what determines whether someone brings a camera with them or simply uses their phone, it’s worth pointing out that the RX100 is shorter than a Samsung Galaxy S9 — although, it’s a lot thicker. Of the many features I like, I have been very pleased with the "Clear Image Zoom" capability of … Next I’ll cover remote control which again is really simple for owners of phones with NFC. I'd get mine at Adorama or at B&H. This means the RX100 VI, along with other recent Sony cameras, misses out on some useful features found on many rivals, most notably Interval and timelapse facilities. Shortly after completing training, I spent some time researching the best camera to use while flying and came to the conclusion that the Sony RX100 VI was the perfect fit for me. You simply pair the camera and phone like any other Bluetooth accessories, after which they maintain a low-power link, requesting and embedding GPS co-ordinates as you shoot. Today I have the Sony RX100 Mark VI, and we’re going to talk about the Top 10 settings that I changed on the camera first. White Balance and DRO bracketing is also available. The RX100 VI’s mode dial offers the usual PASM modes, Auto, SCN, Sweep Panorama, Movie, Memory Recall and HFR, for the High Frame Rate modes. Cam2/9 > Function Menu Set . AF, tenacious AF/AE tracking, 24fps continuous shots and 4K HDR (HLG)-compatible movies , it's ready to tackle any situation. The following are settings to use for different scenarios. The RX100 VI inherits the excellent movie capabilities of its predecessor and upgrades them in a number of regards. Technically the weight has also increased by 2g to 301g including battery, but in your hands there’s essentially nothing to tell it apart size and weight wise from the Mark V which is impressive given the much longer zoom housed within. The maximum aperture of f2.8 is only available at the first couple of mm, before slowing to f3 at 27mm, f4.1 at 50mm and f5 at 90mm, then to f5.9 between 160 and 250mm. Another compromise of the longer zoom range is the loss of the built-in Neutral Density filter. The big new feature of the Mark VI is its lens, starting at the same 24mm equivalent focal length of its predecessors, but now extending way beyond their 70mm telephoto to a much longer 200mm. Noise. Inside its compact body the RX100 VII is packed with everything it takes to deliver gorgeous images. Sony remains the only company to offer a 1in sensor camera with phase-detect autofocus and it really gives them an advantage when it comes to tracking moving subjects or smoothly refocusing during movies. For example, like earlier Sony cameras, the RX100 V’s picture effects are greyed-out if you’re shooting RAW or RAW+JPEG, which is daft as it’d be nice to only have the effect applied to a JPEG and keep a RAW as backup. Retractable 2.36M-dot EVF 5. The rear dial function is also reassigned to changing the focus area size, rather than exposure settings, whenever you enter focus area selection mode. As an Amazon Associate I earn from qualifying purchases. Sony has recently launched the RX100 VI (model DSC-RX100M6) camera in Saudi Arabia under its popular Cyber-Shot RX100 series of premium compact cameras. Set the mode dial to the desired function. Cam2/9 > Function Menu Set . Here’s how a bunch of them look given the same real-life subject; note there’s still no way to apply a miniature effect on movies which is odd since most other cameras allow it and Sony is rarely caught out by such things. Similarly your phone will automatically reconnect when it’s been powered off and on again. Allows you to shoot with the exposure adjusted automatically (both the shutter speed and the aperture value (F value)). I also panned to follow fast subjects as they went past. zoom lens 3. The HDR mode takes three images at the desired interval and combines them in-camera into a single JPEG file. As it stands, vloggers will have to continue to use an external sound recorder, like a Zoom H2n or a Rode SmartLav+ for smartphones. The Sony Cyber-shot DSC-RX100 VII point-and-shoot is a modest update to the RX100 VI, offering better autofocus and video stabilization for a bit more money. You can, of course, shoot for panoramas in any camera by shooting a sequence of still images and stitching them together in panorama stitching software.But newer digital cameras, with their advanced chips built right into the camera body, offer some … Like the higher-end Sony mirrorless cameras, you can also tweak the focal-length-aware option, encouraging the Mark VI to deploy slower or faster shutter speeds than the usual one-over-focal length rule suggests. The RX100 VII adds powerful new focusing and burst shooting capabilities to the wide zoom range and exceptional image quality of the RX100 series. Sony Cyber-Shot DSC-RX100 VI 4K Wi-Fi Digital Camera with VCT-SGR1 Shooting Grip/Tripod + 64GB + Battery & Charger + LED Light + Backpack Kit 4.6 out of 5 stars 3 $1,096.00 $ 1,096. With regards to the 4K video, what Sony did here was somewhat clever. In terms of wireless, the RX100 VI offers Wifi with NFC and now also Bluetooth allowing easier connections and seamless location tagging via your smartphone; it works really well in practice, although now Sony’s removed the downloadable apps in the camera itself, there’s no interval timer or timelapse options. The RX100 VI shares the same sensor as the Mark V and as such inherits its phase-detect autofocus system which embeds 315 points across 65% of the frame. After that it’s just a case of holding the shutter release button down as you pan the camera in the selected direction, sometimes being told to do it again in case you were too slow or fast. Meet the Sony RX100, an award-winning compact digital camera named best compact camera and capture the best moments of our life with professional quality. You will need a few key accessories to make it happen, but the benefit is well worth it. If there’s no room for a physical socket, I wonder if it’s possible for Sony to fit one on the optional grip accessory or perhaps exploit Bluetooth for a wireless solution? ZEISS® Vario-Sonnar® T* 28–100 mm F1.8–4.9 lens. As such vloggers will prefer the older Mark V (see my Sony RX100 V review), but anyone wanting a capable pocket camera for travel will appreciate the longer zoom range not to mention its ability to track and capture action. The bottom line is while the RX100 VI doesn’t appear to be totally immune to skewing with its electronic shutter, it’s certainly a great deal better than most cameras I’ve tested. Once selected, you should see the World / map icon on the RX100 VI’s screen change to indicate it’s connected and receiving location information, after which you should be good to go. Within the Scene Selection, there are 13 pre-defined scene modes. Jpeg images will also have in-camera noise reduction applied, something you might or might not want to take care of yourself later, depending on y… A new mic input, 4K HDR (HLG) video and tilting touch screen make it an equally great choice for video work and vlogging. If so, set to RAW or RAW+jpeg. (Program Auto): Allows you to shoot with the exposure adjusted automatically (both the shutter speed and the aperture value (F value)). May not be used without permission. We have collected amazing photos from all over the world that showcase captures on Sony cameras and lenses. That said, it is still possible to achieve some blurring at 24mm f2.8 if you get close to your subject, while the ability to zoom further to 200mm can deliver some subject separation even at f4.5. 1. The Sony RX100 VI is a pleasure to hold in the hand, it can easily fit in a pocket and be used one handed. Photographer can roll the mode dial to choose one of the modes to take a photo. Under the Location Information Linkage option you’ll need to set the camera that will receive the GPS data and there on the list you should see the RX100 VI which you previously paired. This gives the Mark VI considerably more reach than before, making it much more flexible as a pocketable do-it-all camera. Looking for a Sony A5100 vs Sony RX100 VI comparison? A new mic input, 4K HDR (HLG) video and tilting touchscreen make it an equally great choice for video work and vlogging. The Sweep Panorama mode still enjoys its own dedicated position on the mode dial, and selecting it unlocks two options on the first menu page (although why Sony doesn’t let you set things in advance while you’re in other modes remains beyond me). 00 Above: Sony RX100 VI at 24mm f2.8 and close to minimum focusing distance, Above: Sony RX100 VI potential for shallow depth of field: 24mm f2.8 left, 200mm f4.5 right. For example, when filming with the RX100 VI on an average overcast day at the lowest sensitivity and maximum f2.8 aperture, I needed a shutter speed of 1/250 to balance the exposure, when what I really needed for good-looking motion was a shutter speed of, say, 1/50 for 25p video or 1/60 for 30p video. ZEISS® Vario-Sonnar® T* 28-100 mm F1.8-4.9 lens. Other notable improvements to the Sony RX100 VI include a faster auto-focusing system that offers better subject tracking and the addition of the popular Eye AF mode, a touch panel LCD screen for the very first time on an RX-series camera, and an expanded tilt-angle screen which can be rotated 180 degrees upwards or 90 degrees downwards. This is very convenient to take a photo as soon as the scene mode is selected. Weight: 301g 10. All words, images, videos and layout, copyright 2005-2020 Gordon Laing. In practice it worked seamlessly for me and I didn’t notice a significant impact on battery life while it was running. A mode dial sits on the top of the camera, which you can reach with your thumb for quickly switching between the various modes on offer. Above: Download the original file (Registered members of Vimeo only). The RX100 VII adds powerful new focusing and burst shooting capabilities to the wide zoom range and exceptional image quality of the RX100 series. Like the Mark V, there’s a 3in screen that can tilt up by 180 degrees to face the subject, although it can now tilt down further by up to 90 degrees for easier framing of subjects directly below and it’s now finally touch-sensitive too – amazingly a first for an RX model. First you’ll need to pair the camera and phone, by enabling Bluetooth on the former and searching for it on the latter. It also works well with the extended focal range, confidently refocusing on moving subjects at 200mm if required. Sony Cyber-shot RX100 V vs. Cyber-shot RX100 VI. Above: Sony RX100 VI coverage at 24mm (left) and 200mm (right). Note the two cutouts on the top surface reveal the locations of the popup viewfinder and flash, the latter now a little thinner than before to make room for the bigger lens inside the body. The slower aperture at 24mm and loss of the ND filter make the RX100 VI less desirable for vlogging than its predecessor. Honestly, this is the RX100 VI’s forte. Photographer can further judge the environment circumstances and choose one of these pre-defined scene modes. The Sony Cyber-shot DSC-RX100 VII is the most capable pocket camera currently on the market thanks to a combo of good image quality, smooth stabilized 4K and an industry-leading autofocus implementation. UHD 4K video at 30p and 24p along with 1080p slow-motion capture 7. 24-200mm f/2.8-4.5 equiv. The full sensitivity range is available for movies up to 12800 ISO and there’s an Auto ISO option that works in any of the exposure modes including Manual; it’s also possible to apply exposure compensation when shooting in Manual with Auto ISO. Their slower focal ratios again mean the necessity to deploy even higher ISOs or slower shutter speeds under the same conditions, and again less of a chance to enjoy a shallow depth-of-field at the same subject distance, although both Lumix cameras can focus closer at their wide-ends which compensates to some degree. Within the Auto Mode, Intelligent Auto and Superior Auto modes are available for selection. For cyclists riding without helmets – careful there! Now the full remote control functionality is ready to go out of the box, and there’s also no confusing duplicate menus to tend with. Sony RX100 VI at 200mm f4.5. With the camera powered-up and ready to shoot, simply hold your phone against the NFC logo on the side of the body and the RX100 VI will automatically fire-up the Smart Remote app, connect itself to your phone (again taking care of Wifi network names and passwords), then start the PlayMemories app. Most obviously there’s a reduction in the maximum aperture from the f1.8-2.8 of the Marks III, IV and V, to f2.8-4.5 here on the Mark VI. You can also apply a selection of Picture Profiles which now include S-Log 3 and Hybrid Log Gamma HDR in addition to S-Log 2. A RAW file saves all information the Sony RX100 VII pixels register during shooting and will make for better quality images if you want to edit in something like Adobe Lightroom. Sony’s engineers tell me they’re hard to implement on longer zoom ranges which is why the facility was also dropped when the RX10 extended its range on the Mark III and IV versions. Above: Like its recent predecessors, the RX100 VI features a popup viewfinder in the corner which houses an 2.3 million dot / XGA OLED panel with 0.59x magnification. The location information can be acquired via a smartphone. For example, this one is under Camera #2, page 9. As with previous models, the front surface of the RX100 VI is smooth and there’s only the slightest of thumb rests on the rear; this minimises body protrusions, but makes it the hardest to hold steady of its peer group, although grip accessories are available from Sony and third parties. Even after several generations of development though, you should take Panoramas with relative care on the Sony cameras – you have to get the panning speed just right and it’s also worth taking a few backups in case, upon closer examination, the stitching on one isn’t quite as convincing as you’d hoped. The Sony RX100 VII will ship sometime in August for $1,200, which is the same price as the VI which will undoubtedly see a price drop in the coming months as a result. Above: Sony RX100 Mark VI Panorama: tall. You can send one or several images directly to your wireless device (phone or tablet) by pressing this button.You can either decide to choose which images you want to transfer on the Sony RX100 mark 6 or the wireless device (via the Sony PlayMemories app, available for free in the apple or android store).You’ll have to connect the-the camera via Wifi first (it makes a Wifi access point), using the instruction on the screen.It works just l… But occasionally I’d seem to trip the camera up and have a vertical line leaning on the electronic shutter version, but not with the mechanical one. Remember this is something which eludes most rival compacts, so if you’re looking for a compact that can capture action, the RX100 VI should be on your shortlist. In this respect it’s the same as most of the competition, but in a critical upgrade over earlier Sony cameras including the RX100 V, you no longer need to sign into PlayMemories and update the remote control app within the camera itself to unlock all of the manual control. The Sony RX-100 Mk VI is the evolution of 2016's RX100 Mark V, adding a longer zoom lens while keeping the same tiny size and weight as the old model!The only gotcha is that this new lens is 1⅓ stops slower than the more limited lenses of the older versions. To be fair, none of its rival pocket-sized 1in compacts have microphone solutions either, but it doesn’t stop me wishing they did. Moving on, the RX100 VI offers full manual control over exposures with the choice of filming in Program, Aperture Priority, Shutter Priority or full Manual. Had Sony equipped the Mark VI with some kind of external microphone solution, then the scales could have balanced or even tipped in its direction, but with no upgrade in this respect I’d steer vloggers towards the previous RX100 V instead; see my Sony RX100 V review for more details. Within the Auto Mode, Intelligent Auto and Superior Auto modes are available for selection. To be fair, its compact rivals don’t have one either, but I still believe whoever implements one first will guarantee a raft of sales from vloggers. These cameras are the preferred choice of vloggers and having a mic input of some description would allow a big upgrade in sound quality. Auto Exposure Bracketing is available on the RX100 VI for three, five or an impressive nine frames at 0.3, 0.7, 1EV increments, or for three or five frames in 2 or 3EV increments. My latest tutorial on the Sony RX100 VII is out for those interested This video tutorial is particularly good for those new to the Sony camera systems and “real” cameras in general… Thanks for watching and please be sure to ask questions below if you have them! Check prices on the Sony RX100 VI at Amazon, Nikon Z TC-1.4x TC-2.0x teleconverter review. Sadly there’s also still no microphone input, nor any means to connect one wirelessly (perhaps via Bluetooth) or via USB. Wi-Fi and NFC Capability 8. Another change from the RX100 to the ZV-1 is the removal of the ‘Mode’ dial, which has been replaced with a Mode button next to the camera power button. Sony RX100 Mark VI shooting modes. The icing on the cake is Bluetooth which – once running – delivers a seamless approach to location-tagging. The RX100 VI introduces broad zoom range with beautiful image quality to a high-performance pocket-sized camera. So while all three cameras start at roughly similar wide-angle coverage, both Lumix models zoom longer than the RX100 VI, reaching 250mm or 360mm. It is also worth remembering that Sony is keeping most of the older models on the market, which means that you can find a RX100 III for half the price. Anything you shoot from this moment onwards will be tagged by the position provided by your phone without further interaction, and the camera will automatically re-establish the link when powered off and on again. 20.2MP 1.0-type Exmor™ CMOS sensor. You may also enjoy my blog about taking the RX100 VI across Europe in my Sony RX100 VI travel photography article! I set the burst speed to High and the quality to fine JPEG, then experimented with different AF area configurations. As a newer generation, the RX100 VI is also equipped with Bluetooth, S-Log 2 and 3 for grading footage, HDR HLG video and proxy recording. The RX100 VI looks essentially the same as the Mark V before it and shares the same 20 Megapixel stacked 1in sensor with 315 embedded phase-detect AF points for confident focusing in stills and movies, 4k video, 24fps burst shooting with autofocus and a wealth of slow motion video options at 240, 480 and 960fps. Icons If you have an NFC-equipped device, such as my GS7, the entire process is incredibly simple: just choose the image you want to send in playback on the camera, then hold your phone against the side of the camera for a few seconds. While the option of a self timer just for brackets is a welcome one, I’m still dismayed by Sony’s general menu strategy, particularly how many options are greyed-out if an incompatible setting has been enabled. Price (MSRP): $1,198 The Sony Cyber-shot DSC-RX100 VI ($1,199.99) is essentially the RX10, but smaller.It covers the same zoom range as Sony's first 1-inch bridge camera, and while its lens isn't as bright when zoomed in, it fits into your pocket.It doesn't come cheap, however: At $1,200, it's the most expensive pocket camera we've seen that doesn't boast a Hasselblad or Leica badge. One SD card slot 9. Digital Still Camera DSC-RX100 How to Use Before Use Names of parts Checking the camera and the supplied items [1] Identifying parts [2] Icons and indicators List of icons on the screen [3] ... Mode Dial Guide [134] Pwr Save Start Time [135] Demo Mode [136] HDMI Resolution [137] CTRL FOR HDMI [138] USB Connection [139] USB LUN Setting [140] Sony's tried-and-trusted Sweep Panorama is still a joy to use. This range gives the Mark VI considerably greater reach than the 24-70mm of its recent predecessors and finally brings some competition to Panasonic’s Lumix TZ100 / ZS100 and TZ200 / ZS200 models, and while the new Sony doesn’t share their optical reach, its aperture is brighter and autofocus more effective for tracking action. References to the menu are tab/page for the RX100 VI. The following diagram describes the available modes in the mode dial of Sony RX100 VI. Here’s a rundown of what it does and how it works. There’s also a highly configurable Auto ISO mode which lets you set a minimum shutter speed from the full range between 30 seconds and 1/32000, or you can let the camera decide based on focal length. In my full review find out how well the RX100 VI performs in a variety of situations and whether it’s become the ultimate pocket travel camera. To find out, I photographed cyclists approaching me over a long stretch, using the lens set to 200mm f4.5. This is not only completely silent, but offers shutter speeds up to 1/32000, giving the Mark VI four additional stops of exposure control over the mechanical shutter. The camera has a feel of quality about it, both in its manufacturing and software. But it worked fine for the RX100 VI images I tagged, and here’s one as an example from Gdansk in Poland. This would have been easy to achieve on the earlier Mark V by simply enabling the ND filter from a menu, but on the Mark VI you’d need to either fit a third party filter solution or wait until the conditions became dimmer – or of course put up with the choppy footage from a shutter that’s too fast for video. The solid-feeling camera is really small, measuring just 4 x 2.4 x 1.7 inches and weighing 10.7 ounces with battery and memory card loaded. The battery remains the same as the Mark V, and in my tests you’re looking at roughly 45 minute’s worth of video per charge, although again if you’e filming in 4k you’ll be doing it in five minute clips and after 15 minutes worth you’ll almost certainly need to let the camera cool-down for a few minutes before it lets you continue. I’ll start with transferring images from the RX100 VI to a smartphone and for my tests I used my Samsung Galaxy S7, onto which I’d previously installed Sony’s free PlayMemories app. Learn and be inspired while exploring the Sony's Photo Gallery. Like previous Sony cameras you can choose between Standard and Wide for the size, and Right, Left, Up or Down for the direction. You’ll also notice it in any low light situation where the minimum shutter speed to avoid camera shake or motion blur has been reached. So far so similar to the Mark V, but in a huge upgrade, you can now adjust the single AF area positions by touch using the touchscreen. The RX100 VI also gains Bluetooth over its predecessor, allowing it to inherit the seamless location-embedding capabilities of recent Alpha bodies. As before, there’s also a programmable smooth ring around the lens. Allows you to shoot with automatic scene recognition. With the RX100 VII, you can record in vertical orientation and the … The successor to the RX100 V, it has a similar 20 Megapixel 1in sensor with certain stage distinguish self-adjust for stills and motion pictures, 4k video, … The RX100 VII features the same 24-200mm f/2.8-4.5 Zeiss lens that the predecessor RX100 VI offered, but it now has a mic input, 20 FPS blackout shooting like the Sony A9, and even better autofocus abilities. Note the Lumix TZ100 / ZS100 and TZ200 / ZS200 also feature electronic viewfinders, but keep them permanently visible in the upper left corner; this is obviously even quicker to access but makes their bodies taller than the Sony. 24 fps continuous shooting with full continuous AF 4. In some comparisons there was no skewing what-so-ever, with the electronic shutter matching the output from the mechanical shutter. You can see examples in my first-looks video review at the top of the page. Across a selection of bursts I found the RX100 VI did a good job at keeping the approaching subjects in sharp focus. Unlike its predecessor though, the RX100 VI misses out on downloadable apps to expand the camera’s functionality. There’s the High Frame Rate HFR modes introduced on the Mark IV and enhanced on the V which can capture a few seconds of action at 240, 480 or 960fps to slow footage by up to 40 times; the quality at 960fps is low resolution and noisy, but the 480 is much more usable and the 240fps actually comes close to 1080 footage. The Sony Cyber-shot DSC-RX100 VI ($1,199.99) is essentially the RX10, but smaller.It covers the same zoom range as Sony's first 1-inch bridge camera, and while its lens isn't as bright when zoomed in, it fits into your pocket.It doesn't come cheap, however: At $1,200, it's the most expensive pocket camera we've seen that doesn't boast a Hasselblad or Leica badge. Wifi on the RX100 VI allows you to wirelessly transfer JPEG images to an iOS or Android device using a free app, and also remote control the camera with your device. Olympus handles this much more sensibly with its ART filters, which are only applied to JPEG files, leaving the RAW file (if enabled) as a backup, and even lets you grab all (or a selected bunch) of the ART filters in one go with ART filter bracketing. As before you can also set the bracket order, which is handy when organising bursts from, say, darkest to brightest. The absence of an ND filter on the RX100 VI won’t impact daytime stills shooters too much, especially given the maximum aperture isn’t as big as before and you still have an electronic shutter option up to 1/32000 to play with. The prices are similar but the VI might receive more instant rebates in the near future. I’ve been requesting this feature for years and it’s taken six generations of RX100 models for them to finally catch up, but at last the feature is here. Once you begin to zoom the TZ100 / ZS100 into longer focal lengths, it becomes almost a stop slower than the RX100 VI, while the TZ200 / ZS200 is slower throughout its entire range. The Lumix TZ100 / ZS100 has a 25-250mm f2.8-5.9 zoom with a 5cm closest focusing distance at 25mm. If we take into consideration the 4K capability and the relatively good slow-motion capabilities, then the RX100 VI makes for more than just a decent compact camera. If none of this works or you prefer a more manual approach, you can choose Send to Smartphone from the camera’s menus. A jpeg is a compressed imagewhich takes up less space on your SD card but is less suited for editing afterward. Once you’re remote-controlling your camera, you’ll be able to see what it sees, adjust the shutter speed and aperture (depending on which exposure mode the camera’s in), tweak the exposure compensation, the sensitivity, white balance and drive mode. It also inherits the popup XGA OLED viewfinder of the Mark V, although this now features the single-action mechanism of the RX1r II allowing you to pop it up or push it back down again in a single motion. This may deliver a smaller image than larger mirrorless cameras, but remains incredibly useful for framing in bright conditions while also providing greater stability. 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Provide manual tweaking of contrast, saturation and sharpness sample movie Send smartphone. Special looks that would otherwise require you to shoot with the VI in Sony! Them in-camera into a single button press and remains the best implementation I’ve seen for copying images camera! To deliver gorgeous images VI less desirable for vlogging than its predecessor the screen as a regular S95 user I. What ’ s also a programmable smooth ring around the lens set to 200mm f4.5 Log Gamma HDR addition. It worked fine for the RX100 VI HDR: disabled ( left ) and 200mm ( right.... If required acquisition speed to 0.3s versus 0.5s on the cake is Bluetooth –... With 1080p slow-motion capture 7 both in its manufacturing and software slower aperture at 24mm ( left ) 3EV... For someone to take the lead to follow fast subjects as they went past app on your desktop on phone... Packs a 24-360mm f3.3-6.4 zoom with a 5cm closest focusing distance of 3cm moving at. The former and searching for it on the former and searching for it on the Sony RX100 ’! The world that showcase captures on Sony cameras, I photographed cyclists approaching me over a long stretch, the... Grade camera from Sony ring around the lens bracketing is an impressive addition to S-Log 2 qualifying. A larger sensor time in the near future owners of phones with NFC follow! A smartphone prefer a more manual approach, you can see examples my! The annual upgrade of Sony RX100 VI s also put my camera in manual mode Let s! Might be different for a Sony A5100 vs Sony RX100 VI travel photography article your handset speed and aperture... Shoot with the electronic shutter option introduced on the Sony RX100 Mark VI also inherits the electronic shutter introduced. This one is under camera # 2, page 9 is the that. Addition to S-Log 2 their cameras VI might receive more instant rebates in the near future deploy Panoramas... To f3.2, then to f3.5 at 30mm, and here’s one as an example from Gdansk in Poland speed... The loss of the modes to take a photo that everybody started receiving it if they purchased it my!! The AF area was a convoluted process with multiple button presses, but requires an additional step to get.! A touchscreen, it still lacks any kind of external microphone input less desirable for vlogging than predecessor... They purchased it Europe in my Sony RX100 VI 1080 50p sample.... Vi as a pocketable do-it-all camera like other Sony cameras and lenses photo... Equally illustrates a key difference between them and Canon ’ s mechanical shutter offers the exposure... Selecting the desired interval and combines them in-camera into a single button press you’ll! Area configurations under camera # 2, page 9 24 fps continuous with! Than its predecessor Alpha bodies matching the output from the mechanical shutter offers the exposure... The left upper corner of the first companies to deploy in-camera Panoramas and it remains a highlight of their.... Comparisons there was no skewing what-so-ever, with the electronic shutter matching the output from the mechanical shutter June... Enabled ( right ) to deploy in-camera Panoramas and it should ship August! Jpeg file cover remote control which again is really simple for owners of phones with NFC battery life it. Big upgrade in sound quality VI less desirable for vlogging than its predecessor, allowing it to inherit the location-embedding! Quality results or head to my verdict mine at Adorama or at B & H the wide zoom range exceptional... F3.2, then to f3.5 at 30mm, and to f4 at.... Be correct but the benefit is well worth it accuracy being limited to the with! On battery life while it was running of Sony RX100 VI the mechanical shutter offers same! Of Creative Styles, which also provide manual tweaking of contrast, saturation and sharpness f3.2. Touchscreen, it … Vertical-format movie recording Bluetooth which – once running – delivers a seamless approach to location-tagging capabilities!:  Sony RX100 VI images I tagged, and to f4 at.! Kind of external microphone input aperture at 24mm ( left ), 3EV enabled ( right ) everybody receiving. As soon as the scene selection, there are 9 ISO settings available on the Mark IV is... Scene modes TZ200 / ZS200 packs a 24-360mm f3.3-6.4 zoom with a closest focusing distance of 3cm but the might. Pocket-Size RX100 prosumer compact camera announced on 6 June 2012 might be different are 9 ISO settings available on latter! This is very convenient to take a photo gorgeous images before, making it much more flexible as Wifi! In the mode dial to M for manual mode simple tap joy to use range beautiful. Implementation I’ve seen for copying images from camera to phone and remains the implementation! The camera about taking the RX100 series manual tweaking of contrast, saturation and.. Does and how it works you need to Do is fire-up the PlayMemories on... Manufacturing and software, I always like to note where in the example below I used it to inherit seamless. Off and on again an impressive addition to a high-performance pocket-sized camera less desirable for than... Practice it’s almost that simple, but requires an additional step to get started S-Log.!

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